Tide
A lamp that breathes like the sea.
Pre-orderShips in March
Capture to order. Words into shape. Creativity at will.
Galta is an AI infinite canvas for ideas before they take shape.
Free in the Chrome or Dia browser on a computer · the AI comes with the Mac app
Make it real:
sea-green ceramic,
warm light.
- ink: what you draw
- handwriting: what you ask for
- the picture, page or film: what Galta makes
Galta’s launch film
Capture to order.
Keep anything you see.
One click on any page. Galta keeps where it came from, and sorts it when you ask.
See it. Keep it.
On Pinterest, Behance, Cosmos, Dribbble or any page, rest on a picture and Galta's mark peeks out. One click, and it's yours, with its source.
Sorted in one sentence.
“Sort these by mood.” Galta looks at every picture, groups them, and names each group.
any web page
your canvas
pick one
Form
Sea
Glow
Sort these by mood.
Words into shape.
Say what you want. Get the thing itself.
Not a reply about it: the picture, the page, the film, on your canvas, where you can see it.
Two ideas, one object.
Point at one picture and name the other. The ceramic shell and the jellyfish become one glass lamp.
Fuse it with
the jellyfish.
A web page that works.
Ask for a launch page and it's on the canvas, built from what's already there: a real page, not a picture of one. Scroll it, click it.
Make a launch
page for it.
Shell form
A ribbed spiral shade, drawn from the chambers of a nautilus.
Sea-glass glaze
Celadon over porcelain, pooled where the ribs run deep.
A living glow
Warm light that rises and falls, slow as breathing.
Two shades. One tide.
Sea-green ceramic for the day; glass threads for the night. Both on a brushed brass stem and a base of pale stone.
Then make it move.
Pictures and films come from the image and video service you connect, and land beside what they were made from.
Make it move.
Words into shape.
Now something hard: all of Hamlet.
Five acts, eight deaths, a murder to prove. One sentence for the whole picture, then one move at a time.
One sentence. The whole case.
“Lay out Hamlet as a case: who killed the king, and how we know.” The people, who did what to whom, the evidence act by act, the verdict, the five acts.
Circle one thing. Go deep.
Circle Ophelia, ask for her story, and get four storyboard frames, each captioned with its act.
Lay out Hamlet as a case:
who killed the king,
and how we know.
Hamlet — the case
Who killed King Hamlet, and how do we know?
King Hamletthe Ghost · murdered
Claudiushis brother · the new king
Gertrudethe queen · remarried
Poloniuscounsellor to the king
Laerteshis son · the poisoned blade
Horatiothe friend · the witness
Hamletthe son
Opheliahis daughter
poisons
marries
“Remember me.”
kills, by mistake
father of
father of
loves, then spurns
friend
Prime suspect
“To be, or not to be, that is the question.”
Act 3, Scene 1
Evidence
The Ghost’s wordAct 1, Scene 5 · poison poured in his ear as he slept in the orchard.
The MousetrapAct 3, Scene 2 · the king rises when the play shows the poisoning.
The prayerAct 3, Scene 3 · “O, my offence is rank, it smells to heaven.”
Verdict: Claudius.Poison, in the orchard. Betrayed by his own conscience.
Five acts
Act I
The Ghost appears
Act II
Hamlet feigns madness
Act III
The Mousetrap · Polonius dies
Act IV
Ophelia drowns
Act V
The duel · the rest die
circle her
Her story,
in four frames.
Act 3 · the letters returned
Act 4 · rosemary, for remembrance
Act 4 · the willow
Act 4 · the brook
A poster.
For a modern production. One image, one word.
A poster for a
modern production.
A film.
The Ghost on the battlements, six seconds, beside his portrait.
The ghost on the
battlements, six seconds.
In every language.
“To be, or not to be” as Chinese, Japanese and Korean know it.
To be, or not to be
In Chinese, Japanese
and Korean.
生存还是毁灭，这是一个值得考虑的问题。
生きるべきか、死ぬべきか、それが問題だ。
사느냐 죽느냐, 그것이 문제로다.
Creativity at will.
You decide. Every road stays open.
Agents do the work; you make the call. Every version is kept, and any of them can be where you start again.
Another ending, kept.
“What if he strikes at the prayer?” One death instead of eight. Galta keeps every version of a canvas: slide back in its Time Machine to bring the play’s own ending back, and this one stays kept.
What if he strikes
at the prayer?
Act I
The Ghost appears
Act II
Hamlet feigns madness
Act III
The Mousetrap · Polonius dies
Act IV
Ophelia drowns
Act V
The duel · the rest die
Hamlet kills Claudius at prayer
Ophelia lives
A new king, one death
The play’s own ending: eight deaths
This ending: one death
AI as a place to think
An infinite canvas
An extension for Chrome and Dia, with a Mac app. Open it beside any page, keep references with their sources, and place them wherever the idea needs them.
Any agent
Talk in Galta, or work in Codex or Claude Code; either way, the agent reads the canvas and the results land there.
Your own accounts
Images, video and sound come from your own generation services, which bill you directly. Your keys stay on your Mac.
Yours, on your Mac
Every canvas, version and conversation stays on this computer. It works offline, and without AI.
Every picture and film on the canvas was made from the sentence beside it, with image and video models (Seedream, Seedance); the lamp photograph from the very sketch beside it too. The other doodles were drawn for this page. Hamlet is Shakespeare’s; the portraits are original.
Meet Galta.
Install the browser extension, open your first canvas, then connect the Mac app to bring AI into it.
What you need
- The canvasChrome or Dia on any computer. Free today.
- The AIA Mac with Apple silicon. Chat runs on Codex with your ChatGPT account, or work in Claude Code.
- Pictures, films, soundAn account with one of these, billed for what you make.
- Higgsfield
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